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Henri-Louis Bergson (IPA: [bɛʁkˈsɔn]; 18 October 1859–4 January 1941) was a French philosopher, influential in the first half of the 20th century.



Bergson was born in the Rue Lamartine in Paris]], not far from the Palais Garnier (the old Paris opera house) in 1859, the year of the publication of Charles Darwin's On the Origin of Species. He was descended from a Polish Jewish family (originally Bereksohn) on his father's, the musician, Michał Bergson's side, while his mother, Katherine Levison, daughter of a Yorkshire doctor, was from an English and Irish Jewish background. The Berekshons were famous Jewish family of Polish business, Henri Bergson's great-great-grandfather Szmul Jakubowicz Sonnenberg called Zbytkower was a prominent banker and King Stanisław August Poniatowski's protégé[1][2]. His family lived in London for a few years after his birth, and he obtained an early familiarity with the English language from his mother. Before he was nine, his parents crossed the English Channel and settled in France, Henri becoming a naturalized citizen of the Republic.

He married Louise Neuberger, a cousin of Marcel Proust, in 1891. They had a daughter, Jeanne, who was born in 1929.

His sister, Mina Bergson (also known as Moina Mathers), married the English occult author Samuel Liddell MacGregor Mathers, a leader of the Hermetic Order of the Golden Dawn, and the couple later relocated to Paris as well.

Bergson lived the quiet life of a French professor. Its chief landmarks were the publication of his four principal works: in 1889, Time and Free Will (Essai sur les données immédiates de la conscience); in 1896, Matter and Memory (Matière et mémoire); in 1907, Creative Evolution (L'Evolution créatrice); and in 1932, The Two Sources of Morality and Religion (Les deux sources de la morale et de la religion).

He was named in 1900 as professor in the College of France, holding the Chair of Greek and Latin Philosophy, which he held until 1904. He then replaced Gabriel Tarde in the Chair of Modern Philosophy, which he held until 1920. His courses were attended by a large public.

Education and career[]

Bergson attended the Lycée Fontaine (now known as the Lycée Condorcet) in Paris from 1868 to 1878. Having received a Jewish religious education[How to reference and link to summary or text], he of course read the Bible, including the Genesis. Between 14 and 16, however, he lost his faith. According to Hude (1990), this moral crisis is tied to his discovery of the theory of evolution, according to which humanity shares common ancestry with modern primates and was not necessarily created directly by God [3].

While there he won a prize for his scientific work and another, in 1877 when he was eighteen, for the solution of a mathematical problem. His solution was published the following year in Annales de Mathématiques. It was his first published work. After some hesitation as to whether his career should lie in the sphere of the sciences or that of the humanities, he decided in favour of the latter, to the dismay of his teachers [4]. When he was nineteen, he entered the famous École Normale Supérieure. During this period, he read Herbert Spencer [4]. He obtained there the degree of Licence-ès-Lettres, and this was followed by that of Agrégation de philosophie in 1881 .

The same year he received a teaching appointment at the Lycée in Angers, the ancient capital of Anjou. Two years later he settled at the Lycée Blaise-Pascal in Clermont-Ferrand, capital of the Puy-de-Dôme département.

The year after his arrival at Clermont-Ferrand Bergson displayed his ability in the humanities by the publication of an excellent edition of extracts from Lucretius, with a critical study of the text and the materialist cosmology of the poet (1884), a work whose repeated editions are sufficient evidence of its useful place in the promotion of classical study among the youth of France. While teaching and lecturing in this part of his country (the Auvergne region), Bergson found time for private study and original work. He crafted his dissertation Time and Free Will, which was submitted, along with a short Latin thesis on Aristotle (L'idée de lieu chez Aristote), for his doctoral degree which was awarded by the University of Paris in 1889. The work was published in the same year by Félix Alcan. He also gave courses in Clermont-Ferrand on the Pre-Socratics, in particular on Heraclitus [4].

Bergson dedicated Time and Free Will to Jules Lachelier, then public education minister, who was a disciple of Félix Ravaisson and the author of a rather important philosophical work On the Founding of Induction (Du fondement de l'induction, 1871). Lachelier endeavoured "to substitute everywhere force for inertia, life for death, and liberty for fatalism." (Lachelier was born in 1832, Ravaisson in 1813 . Bergson owed much to both of these teachers of the Ecole Normale Supérieure. Cf. his memorial address on Ravaisson, who died in 1900 .)

Bergson settled again in Paris, and after teaching for some months at the Municipal College, known as the College Rollin, he received an appointment at the Lycée Henri-Quatre, where he remained for eight years. There, he read Charles Darwin and gave a course on him [4]. Although he previously endorsed Lamarckism and its theory of the heritability of acquired characteristics, he then preferred Darwin's hypothesis of gradual variations, which were more compatible with his continuist vision of life [4].

In 1896 he published his second large work, entitled Matter and Memory. This rather difficult, but brilliant, work investigates the function of the brain, undertakes an analysis of perception and memory, leading up to a careful consideration of the problems of the relation of body and mind. Bergson had spent years of research in preparation for each of his three large works. This is especially obvious in Matter and Memory, where he showed a thorough acquaintance with the extensive pathological investigations which had been carried out during the period.

In 1898 Bergson became Maître de conférences at his Alma Mater, L'Ecole Normale Supérieure, and was later promoted to a Professorship. The year 1900 saw him installed as Professor at the Collège de France, where he accepted the Chair of Greek and Latin Philosophy in succession to Charles L'Eveque.

At the First International Congress of Philosophy, held in Paris during the first five days of August, 1900, Bergson read a short, but important, paper, "Psychological Origins of the Belief in the Law of Causality" (Sur les origines psychologiques de notre croyance à la loi de causalité). In 1901 Felix Alcan published a work which had previously appeared in the Revue de Paris, entitled Laughter (Le rire), one of the most important of Bergson's minor productions. This essay on the meaning of comedy was based on a lecture which he had given in his early days in the Auvergne. The study of it is essential to an understanding of Bergson's views of life, and its passages dealing with the place of the artistic in life are valuable. The main thesis of the work is that laughter is a corrective evolved to make social life possible for human beings. We laugh at people who fail to adapt to the demands of society, if it seems their failure is akin to an inflexible mechanism. Comic authors have exploited this human tendency to laugh in various ways, and what is common to them is the idea that the comic consists in there being "something mechanical encrusted on the living".[5][6]

In 1901 Bergson was elected to the Académie des sciences morales et politiques, and became a member of the Institute. In 1903 he contributed to the Revue de métaphysique et de morale a very important essay entitled Introduction to Metaphysics (Introduction à la metaphysique), which is useful as a preface to the study of his three large books. He detailed in this essay his philosophical program, realized in the Creative Evolution [4].

On the death of Gabriel Tarde, the eminent sociologist, in 1904, Bergson succeeded him in the Chair of Modern Philosophy. From the 4th to 8 September of that year he was at Geneva attending the Second International Congress of Philosophy, when he lectured on The Mind and Thought: A Philosophical Illusion (Le cerveau et la pensée: une illusion philosophique). An illness prevented his visiting Germany to attend the Third Congress held at Heidelberg.

His third major work, Creative Evolution, appeared in 1907, and is undoubtedly the most widely known and most discussed. It constitutes one of the most profound and original contributions to the philosophical consideration of the theory of evolution. Imbart de la Tour remarked that Creative Evolution was a milestone of new direction in thought. By 1918, Alcan, the publisher, had issued twenty-one editions, making an average of two editions per annum for ten years. Following the appearance of this book, Bergson's popularity increased enormously, not only in academic circles, but among the general reading public.

At that time, Bergson had already studied extensively biology, being aware of the theory of fecundation (as shown by the first chapter of the Creative Evolution), which had only recently emerged, in the 1885s — which was no small feat for a philosopher specialized in history of philosophy, in particular Greek and Latin philosophy [4]. He also most certainly had read, apart of Darwin, Haeckel, from whom he retained his idea of a unity of life and of the ecological solidarity between all living beings [4], as well as Hugo de Vries, whom he quoted his mutation theory of evolution (which he opposed, preferring Darwin's gradualism) [4]. He also quoted Charles-Édouard Brown-Séquard, the successor of Claude Bernard at the Chair of Experimental Medicine in the College of France, etc.

Relationship with James and Pragmatism[]

Bergson came to London in 1908 where he met William James, the Harvard philosopher who was Bergson's senior by seventeen years, and who was instrumental in calling the attention of the Anglo-American public to the work of the French professor. The two became great friends. James's impression of Bergson is given in his Letters under date of 4 October 1908:

"So modest and unpretending a man but such a genius intellectually! I have the strongest suspicions that the tendency which he has brought to a focus, will end by prevailing, and that the present epoch will be a sort of turning point in the history of philosophy."

As early as 1880 James had contributed an article in French to the periodical La Critique philosophique, of Renouvier and Pillon, entitled Le Sentiment de l'Effort. Four years later a couple of articles by him appeared in the journal Mind: "What is an Emotion?" and "On some Omissions of Introspective Psychology." Of these articles the first two were quoted by Bergson in his 1889 work, Time and Free Will. In the following years 1890-91 appeared the two volumes of James's monumental work, The Principles of Psychology, in which he refers to a pathological phenomenon observed by Bergson. Some writers, taking merely these dates into consideration and overlooking the fact that James's investigations had been proceeding since 1870 (registered from time to time by various articles which culminated in "The Principles"), have mistakenly dated Bergson's ideas as earlier than James's.

It has been suggested that Bergson owes the root ideas of his first book to the 1884 article by James, "On Some Omissions of Introspective Psychology," which he neither refers to nor quotes. This article deals with the conception of thought as a stream of consciousness, which intellect distorts by framing into concepts. Bergson replied to this insinuation by denying that he had any knowledge of the article by James when he wrote Les données immédiates de la conscience. The two thinkers appear to have developed independently until almost the close of the century. They are further apart in their intellectual position than is frequently supposed. Both have succeeded in appealing to audiences far beyond the purely academic sphere, but only in their mutual rejection of "intellectualism" as final is there real unanimity. Although James was slightly ahead in the development and enunciation of his ideas, he confessed that he was baffled by many of Bergson's notions. James certainly neglected many of the deeper metaphysical aspects of Bergson's thought, which did not harmonize with his own, and are even in direct contradiction. In addition to this, Bergson can hardly be considered a pragmatist. For him, "utility," far from being a test of truth, was in fact the reverse: a synonym for error.

Nevertheless, William James hailed Bergson as an ally. Early in the century (1903) he wrote:

"I have been re-reading Bergson's books, and nothing that I have read since years has so excited and stimulated my thoughts. I am sure that that philosophy has a great future, it breaks through old cadres and brings things into a solution from which new crystals can be got."

The most noteworthy tributes paid by him to Bergson were those made in the Hibbert Lectures (A Pluralistic Universe), which James gave at Manchester College, Oxford, shortly after meeting Bergson in London. He remarks on the encouragement he has received from Bergson's thought, and refers to the confidence he has in being "able to lean on Bergson's authority."

The influence of Bergson had led him "to renounce the intellectualist method and the current notion that logic is an adequate measure of what can or cannot be." It had induced him, he continued, "to give up logic, squarely and irrevocably" as a method, for he found that "reality, life, experience, concreteness, immediacy, use what word you will, exceeds our logic, overflows, and surrounds it."

These remarks, which appeared in James's book A Pluralistic Universe in 1909, compelled many English and American readers to an investigation of Bergson's philosophy for themselves. A certain handicap existed in that his greatest work had not then been translated into English. James, however, encouraged and assisted Dr. Arthur Mitchell in his preparation of the English translation of Creative Evolution. In August 1910 James died. It was his intention, had he lived to see the completion of the translation, to introduce it to the English reading public by a prefatory note of appreciation. In the following year the translation was completed and still greater interest in Bergson and his work was the result. By a coincidence, in that same year (1911), Bergson penned a preface of sixteen pages entitled Truth and Reality for the French translation of James's book, "Pragmatism". In it he expressed sympathetic appreciation of James's work, coupled with certain important reservations.

In April (5th to 11th) Bergson attended the Fourth International Congress of Philosophy held at Bologna, in Italy, where he gave an address on "Philosophical Intuition". In response to invitations he visited England in May of that year, and on several subsequent occasions. These visits were well received. His speeches offered new perspectives and elucidated many passages in his three major works: Time and Free Will, Matter and Memory, and Creative Evolution. Although necessarily brief statements, they developed and enriched the ideas in his books and clarified for English audiences the fundamental principles of his philosophy.

The lectures on Change, and Bergson's later life[]

Bergson visited the University of Oxford, where he delivered two lectures entitled The Perception of Change (La perception du changement), which were published in French in the same year by the Clarendon Press. As he had a delightful gift of lucid and brief exposition, when the occasion demands such treatment, these lectures on Change formed a most valuable synopsis or brief survey of the fundamental principles of his thought, and served the student or general reader alike as an excellent introduction to the study of the larger volumes. Oxford honoured its distinguished visitor by conferring upon him the degree of Doctor of Science.

Two days later he delivered the Huxley Lecture at the University of Birmingham, taking for his subject Life and Consciousness. This subsequently appeared in The Hibbert Journal (October, 1911), and since revised, forms the first essay in the collected volume Mind-Energy (L'Energie spirituelle). In October he was again in England, where he had an enthusiastic reception, and delivered at University College London four lectures on La Nature de l'Ame.

In 1913 he visited the United States of America, at the invitation of Columbia University, New York, and lectured in several American cities, where he was welcomed by very large audiences. In February, at Columbia University, he lectured both in French and English, taking as his subjects: Spirituality and Freedom and The Method of Philosophy. Being again in England in May of the same year, he accepted the Presidency of the British Society for Psychical Research, and delivered to the Society an impressive address: Phantoms of Life and Psychic Research (Fantômes des vivants et recherche psychique).

Meanwhile, his popularity increased, and translations of his works began to appear in a number of languages: English, German, Italian, Danish, Swedish, Hungarian, Polish and Russian. In 1914 he was honoured by his fellow-countrymen in being elected as a member of the Académie française. He was also made President of the Académie des Sciences morales et politiques, and in addition he became Officier de la Légion d'honneur, and Officier de l'Instruction publique.

Bergson found disciples of many varied types, and in France movements such as Neo-Catholicism or Modernism on the one hand and Syndicalism on the other, endeavoured to absorb and to appropriate for their own immediate use and propaganda some of the central ideas of his teaching. That important continental organ of socialist and syndicalist theory, Le Mouvement socialiste, suggested that the realism of Karl Marx and Pierre-Joseph Proudhon is hostile to all forms of intellectualism, and that, therefore, supporters of Marxian socialism should welcome a philosophy such as that of Bergson. Other writers, in their eagerness, asserted the collaboration of the Chair of Philosophy at the College de France with the aims of the Confédération Générale du Travail and the Industrial Workers of the World. It was claimed that there is harmony between the flute of personal philosophical meditation and the trumpet of social revolution.

While social revolutionaries were endeavouring to make the most out of Bergson, many leaders of religious thought, particularly the more liberal-minded theologians of all creeds, e.g., the Modernists and Neo-Catholic Party in his own country, showed a keen interest in his writings, and many of them endeavoured to find encouragement and stimulus in his work. The Roman Catholic Church, however, which still believed that finality was reached in philosophy with the work of Thomas Aquinas in the thirteenth century, and consequently had made that mediaeval philosophy her official, orthodox, and dogmatic view, took the step of banning Bergson's three books, accused of pantheism (that is, of conceiving of God as immanent to his Creation and of being himself created in the process of the Creation [4]) by placing them upon the Index of prohibited books (Decree of 1 June 1914).

In 1914, the Scottish Universities arranged for Bergson to deliver the famous Gifford Lectures, and one course was planned for the spring and another for the autumn. The first course, consisting of eleven lectures, under the title of The Problem of Personality, was delivered at the University of Edinburgh in the Spring of that year. The course of lectures planned for the autumn months had to be abandoned because of the outbreak of war. Bergson was not, however, silent during the conflict, and he gave some inspiring addresses. As early as 4 November, 1914, he wrote an article entitled Wearing and Nonwearing forces (La force qui s'use et celle qui ne s'use pas), which appeared in that unique and interesting periodical of the poilus, Le Bulletin des Armées de la République Française. A presidential address, The Meaning of the War, was delivered in December, 1914, to the Académie des sciences morales et politiques.

Bergson contributed also to the publication arranged by The Daily Telegraph in honour of the King of the Belgians, King Albert's Book (Christmas, 1914). In 1915 he was succeeded in the office of President of the Académie des Sciences morales et politiques by Alexandre Ribot, and then delivered a discourse on The Evolution of German Imperialism. Meanwhile he found time to issue at the request of the Minister of Public Instruction a brief summary of French Philosophy. Bergson did a large amount of travelling and lecturing in America during the war. He participated to the negotiations which led to the entry of the United States in the war. He was there when the French Mission under René Viviani paid a visit in April and May 1917, following upon America's entry into the conflict. Viviani's book La Mission française en Amérique (1917), contains a preface by Bergson.

Early in 1918 he was officially received by the Académie française, taking his seat among "The Select Forty" as successor to Emile Ollivier, the author of the large and notable historical work L'Empire libéral. A session was held in January in his honour at which he delivered an address on Ollivier. In the war, Bergson saw the conflict of Mind and Matter, or rather of Life and Mechanism; and thus he shows us the central idea of his own philosophy in action. To no other philosopher has it fallen, during his lifetime, to have his philosophical principles so vividly and so terribly tested.


Bergson in 1927. He was awarded the 1927 Nobel Prize in Literature

As many of Bergson's contributions to French periodicals were not readily accessible, he agreed to the request of his friends that these should be collected and published in two volumes. The first of these was being planned when war broke out. The conclusion of strife was marked by the appearance of a delayed volume in 1919 . It bears the title Spiritual Energy: Essays and Lectures (L'Energie spirituelle: essais et conférences). The advocate of Bergson's philosophy in England, Dr. Wildon Carr, prepared an English translation under the title Mind-Energy. The volume opens with the Huxley Memorial Lecture of 1911, "Life and Consciousness", in a revised and developed form under the title "Consciousness and Life". Signs of Bergson's growing interest in social ethics and in the idea of a future life of personal survival are manifested. The lecture before the Society for Psychical Research is included, as is also the one given in France, L'Ame et le Corps, which contains the substance of the four London lectures on the Soul. The seventh and last article is a reprint of Bergson's famous lecture to the Congress of Philosophy at Geneva in 1904, The Psycho-Physiological Paralogism (Le paralogisme psycho-physiologique), which now appears as Le cerveau et la pensée: une illusion philosophique. Other articles are on the False Recognition, on Dreams, and Intellectual Effort. The volume is a most welcome production and serves to bring together what Bergson wrote on the concept of mental force, and on his view of "tension" and "detension" as applied to the relation of matter and mind.

In June 1920, the University of Cambridge honoured him with the degree of Doctor of Letters. In order that he might be able to devote his full time to the great new work he was preparing on ethics, religion, and sociology, Bergson was relieved of the duties attached to the Chair of Modern Philosophy at the Collège de France. He retained the chair, but no longer delivered lectures, his place being taken by his disciple, the mathematician and philosopher Edouard Le Roy, who supported a conventionalist stance on the foundations of mathematics, which was adopted by Bergson [7]. Le Roy, who also succeeded to Bergson at the Académie française and was a fervent Catholic, extended to revealed truth his conventionalism, leading him to privilege faith, heart and sentiment to dogmas, speculative theology and abstract reasonings. As Bergson, his writings were put to the Index by the Vatican.

Bergson then published Duration and Simultaneity: Bergson and the Einsteinian Universe (Durée et simultanéité), a book on physics which was followed by a polemical conversation with Albert Einstein at the French Society of Philosophy [4]. The latter book has been often considered as one of his worst, many alleging that his knowledge of physics was very insufficient, and that the book did not follow up contemporary developments on physics [4]. It was not published in the 1951 Edition du Centenaire in French, which contained all of his other works, and was only published later in a work gathering different essays, titled Mélanges. Duration and simultaneity took advantage of Bergson's experience at the League of Nations, where he presided starting in 1920 the International Commission on Intellectual Cooperation (the ancestor of the UNESCO, which included Einstein, Marie Curie, etc.) [4].

Living with his wife and daughter in a modest house in a quiet street near the Porte d'Auteuil in Paris, Bergson won the Nobel Prize for Literature in 1927 for having written The Creative Evolution. Because of serious rheumatics ailments, he could not travel to Stockholm, and send instead a text which has been published in La Pensée et le mouvant [4].

After his retirement from the Collège, Bergson began to fade into obscurity, because he was suffering from a degenerative illness (rheumatics, which left him half paralyzed [4]). He completed his new work, The Two Sources of Morality and Religion, which extended his philosophical theories to the realms of morality, religion and art, in 1935 . It was respectfully received by the public and the philosophical community, but all by that time realized that Bergson's days as a philosophical luminary were past. It was at this time, however, that Bergson, with a newly found passion for the domestic, began to experiment in cuisine. He developed a small following around the neighborhood, and eventually took home several red and blue ribbons at the annual area block party. While trying to determine the perfect heat and duration for a newly developed recipe, Bergson hit upon the difficulty of affecting change on materials that are within the flow of time from a position of consciousness outside of that same durational flow. It was this epiphany that led to his self-published work, printed in a small edition in 1936, entitled Forward-durational Rechauffage or the Theory of the Three-Sided Bacon Tranche. This led to a new, late-life popularity for Bergson, which upon reflection, bothered him in that he wished to remain known for his earlier accomplishments. He was, however, able to reiterate his core beliefs near the end of his life, by renouncing all of the posts and honours previously awarded him, rather than accept exemption from the antisemitic laws imposed by the Vichy government. Though wanting to convert to Catholicism and having personally become a Christian in 1921 [1], he held off instead and showed solidarity with his fellow Jews by signing the registry books.

A Roman Catholic priest said prayers at his funeral per his request. Henri Bergson is buried in the Cimetière de Garches, Hauts-de-Seine.

The neutrality of this section is disputed.


One of Bergson's main problems is to think novelty as pure creation, instead of as the unraveling of a predetermined program. His is a philosophy of pure mobility, unforeseeable novelty, creativity and freedom, which can thus be characterized as a process philosophy. It touches upon such topics as time and identity, free will, perception, change, memory, consciousness, language, the foundation of mathematics and the limits of reason.[8]

Criticizing Kant's theory of knowledge exposed in the Critique of Pure Reason and his conception of truth — which he compares to Plato's conception of truth as its symmetrical inversion (order of nature/order of thought) — he attempted to redefine the relations between science and metaphysics, intelligence and intuition, and insisted on the necessity of increasing thought's possibility through the use of intuition, which would be, according to him, the only way of approaching a knowledge of the absolute and of real life, understood as pure duration. Because of his (relative) criticism of intelligence, he makes a frequent use of images and metaphors in his writings in order to avoid the use of concepts, which he considers fail to touch the whole of reality, being only a sort of abstract net thrown on things. For instance, he says in The Creative Evolution (chap.III) that thought in itself would never have thought it possible for the human being to swim, as it cannot deduce swimming from walking. For swimming to be possible, man must throw itself in water, and only then can thought consider swimming as possible. Intelligence, for Bergson, is a practical faculty rather than a pure speculative faculty, a product of evolution used by man to survive. If metaphysics is to avoid "false problems", it should not extend to pure speculation the abstract concepts of intelligence, but rather use intuition [9].

The Creative Evolution was in particular an attempt to think the continuous creation of life, which explicitly pitted itself against Herbert Spencer's evolutionary philosophy — Spencer had attempted to transpose Charles Darwin's theory of evolution in philosophy and to construct a cosmology based on this theory; he was also the inventor of the expression "survival of the fittest." Although Spencer is considered as an important influence of Bergson, some have downplayed it, as it seems that Bergson would have very early criticized him [4]. Henri Bergson’s Lebensphilosophie (Philosophy of Life) can be seen as a response to the mechanistic philosophies of his time [10], but also to the failure of finalism [4]. Indeed, he considers that finalism is unable to explain "duration" and the "continuous creation of life", as it only explains life as the progressive development of an initially determined program — a notion which remains, for example, in the expression of a "genetic program" [4]; such a description of finalism was adopted, for instance, by Leibniz [4]. Bergson thought that it was impossible to plan beforehand the future, as time itself unraveled unforeseen possibilities. Indeed, a historical event could always be explained retrospectively by its conditions of possibility. But, in the introduction to the Pensée et le mouvant, he explains that such an event created retrospectively its causes, taking the example of the creation of a work of art, for example a symphony: it was impossible to predict what would be the symphony of the future, as if the musician knew what symphony would be the best for his time, he would realize it. In his words, the effect created its cause. Henceforth, he attempted to find a third way between mechanism and finalism, through the notion of an original impulse, the élan vital, in life, which dispersed itself through evolution into contradictory tendencies (he substituted to the finalist notion of a teleological aim a notion of an original impulse).


See also: Duration (Bergson)

The foundation of Henri Bergson’s philosophy is his theory of Duration, which he discovered when trying to improve the inadequacies of Herbert Spencer’s philosophy.[10] A theory of time and consciousness, the Duration is introduced in his doctoral theses Time and Free Will: An Essay on the Immediate Data of Consciousness as a response to another of his influences: Immanuel Kant.[11]

Kant believed freewill could only exist outside of time and space, that we could therefore not know whether or not it exists, and that it is nothing but a pragmatic faith.[11] Bergson’s response was to show that Kant, along with many other philosophers, had confused time with its spatial representation.[12] In reality, the Duration is unextended yet heterogeneous, and so its parts cannot be juxtaposed as a succession of distinct parts, with one causing the other. This made determinism an impossibility and freewill pure mobility, which is what Bergson identified as being the Duration.[13]


See also: Intuition (Bergson)

The Duration then is a unity and a multiplicity, but, being mobile, it cannot be grasped through immobile concepts. Hence the only way to grasp it is through Bergson’s method of intuition. Two images from Henri Bergson’s An Introduction to Metaphysics may help us grasp intuition, the limits of concepts, and the ability of intuition to grasp the absolute. The first is that of a city. Analysis, or the creation of concepts through the divisions of points of view, can only ever give us a model of the city through a construction of photographs taken from every possible point of view, yet it can never give us the dimensional value of walking in the city itself. This can only be grasped through intuition, as can the experience of reading a line of Homer. One may translate the line and pile commentary upon commentary, but this commentary too shall never grasp the simple dimensional value of experiencing the poem in its originality itself. The method of intuition, then, is that of getting back to the things themselves.[14]

Élan Vital[]

See also: Élan vital

The third essential concept of Bergson’s, after Duration and intuition, is the Élan vital. An idea with the goal of explaining evolution, the Élan vital first appeared in 1907’s Creative Evolution. Élan vital is a kind of vital impetus which explains evolution in a less mechanical and more lively manner, as well as the creative impulse of mankind. This concept led Bergson to be characterized by several authors as a supporter of vitalism—although he criticized it explicitly in The Creative Evolution, as he thought, against Driesch and Johannes Reinke (whom he cited) that there is neither "purely internal finality nor clearly cut individuality in nature"[15]:

Hereby lies the stumbling block of vitalist theories (...) It is thus in vain that one pretends to reduce finality to the individuality of the living being. If there is finality in the world of life, it encompasses the whole of life in one indivisible embrace.[16]


In the idiosyncratic Laughter: An Essay on the Meaning of the Comic, Bergson develops a theory not of laughter, but of how laughter can be provoked (see his objection to Delage, published on the 23rd edition of the essay).[4] He describes the process of laughter (refusing to give a conceptual definition which would not approach its reality[4]), used in particular by comics and clowns, as the caricature of the mechanism nature of humans (habits, automatic acts, etc.), one of the two tendencies of life (degradation towards inert matter and mechanism, and continual creation of new forms).[4] However, Bergson warns us that laughter’s criteria of what should be laughed at is not a moral criteria and that it can in fact cause serious damage to a person’s self-esteem.[17] This essay made his opposition to the Cartesian theory of the animal-machine obvious.[4]

Criticisms and reception[]

From his first publications, Bergson's philosophy attracted strong criticism from different angles, although he was also very popular and durably influenced French philosophy — the epistemologist Gaston Bachelard, for example, explicitly alluded to him in the last pages of his 1938 book (The Formation of the Scientific Mind). The mathematician Edouard Le Roy was Bergson's main disciple. Others influences count Vladimir Jankélévitch, who wrote a book on him (Henri Bergson) in 1931, Pierre Teilhard de Chardin or Gilles Deleuze who wrote Le bergsonisme in 1966 (transl. 1988). Bergson is also often classified as an influence upon the process philosophy of (beside Deleuze) Alfred North Whitehead, as well as the phenomenology of Merleau-Ponty and Emmanuel Lévinas.[18] The Greek author Nikos Kazantzakis studied under Bergson in Paris and his writing and philosophy were profoundly influenced as a result.[19]

Many writers of the early 20th century criticized his intuitionism, indeterminism, psychologism and unique interpretation of the scientific impulse. Among those who explicitly criticized Bergson (either in published articles or letters) were Bertrand Russell (see his short book on the subject), George Santayana (see his study on the author in "Winds of Doctrine"), G. E. Moore, Ludwig Wittgenstein, Julien Benda (see his book on the subject), T. S. Eliot, Paul Valéry (despite some recent claims otherwise), Andre Gide (see below), Marxists philosophers such as Theodor W. Adorno (see "Against Epistemology"), Lucio Colletti (see "Hegel and Marxism"), , Jean-Paul Sartre (see his early book Imagination — although Sartre also appropriated himself Bergsonian thesis on novelty as pure creation - see Situations I, Gallimard 1947, p.314) and Georges Politzer (see the latter's two books on the subject: Le Bergsonisme, une Mystification Philosophique and La fin d'une parade philosophique: le Bergsonisme both of which had a tremendous effect on French existential phenomenology), as well as (the non-Marxist) Maurice Blanchot (see Bergson and Symbolism), American philosophers such as Irving Babbitt, Arthur Lovejoy, Josiah Royce, The New Realists (Ralph B. Perry, E. B. Holt, and William P. Montague), The Critical Realists (Durant Drake, Roy W. Sellars, C. A. Strong, and A. K. Rogers), Daniel-Henry Kahnweiler, Roger Fry (see his letters), Julian Huxley (in Evolution: The Modern Synthesis) and Virginia Woolf (for the latter, see Ann Banfield, The Phantom Table).

Bergson was accused by the Vatican of being pantheistic, while free-thinkers, who formed a large part of the teachers and professors of the French Third Republic, accused him of spiritualism. Still others have characterized his philosophy as a materialist emergentismSamuel Alexander and C. Lloyd Morgan explicitly claimed Bergson as their forebearer [4]. According to Henri Hude (1990, II, p.142), who supports himself on the whole of Bergson's works as well as his now published courses, accusing him of pantheism is a "counter-sense". Hude alleges that a mystical experience, roughly outlined at the end of Les Deux sources de la morale et de la religion, is the inner principle of his whole philosophy, although this has been contested by other commentators.

C. S. Peirce took strong exception to being aligned with Bergson. In response to a letter comparing his work with that of Bergson he wrote, “a man who seeks to further science can hardly commit a greater sin than to use the terms of his science without anxious care to use them with strict accuracy; it is not very gratifying to my feelings to be classed along with a Bergson who seems to be doing his prettiest to muddle all distinctions.” William James’s students resisted the assimilation of his work to that of Bergson’s. See, for example, Horace Kallen’s book on the subject James and Bergson. As Jean Wahl described the “ultimate disagreement” between James and Bergson in his System of Metaphysics:

“for James, the consideration of action is necessary for the definition of truth, according to Bergson, action...must be kept from our mind if we want to see the truth.” Gide even went so far as to say that future historians will over-estimate Bergson’s influence on art and philosophy just because he was the self-appointed spokesman for “the spirit of the age.”

As early as the 1890s, Santayana attacked certain key concepts in Bergson’s philosophy, above all his view of the New and the indeterminate:

“the possibility of a new and unaccountable fact appearing at any time,” he writes in his book on Lotze, “does not practically affect the method of investigation;...the only thing given up is the hope that these hypotheses may ever be adequate to the reality and cover the process of nature without leaving a remainder. This is no great renunciation; for that consummation of by no one really expected.”

According to Santayana and Russell, Bergson projected false claims onto the aspirations of scientific method, which Bergson needed to make in order to justify his prior moral commitment to freedom. Russell takes particular exception to Bergson’s understanding of number in chapter two of Time and Free-will. According to Russell, Bergson uses an outmoded spatial metaphor (“extended images”) to describe the nature of mathematics as well as logic in general. “Bergson only succeeds in making his theory of number possible by confusing a particular collection with the number of its terms, and this again with number in general,” writes Russell (see The Philosophy of Bergson and A History of Western Philosophy).

Further still, the élan vital was seen to be a projection of the inner life, a moral feeling, onto the world at large. The external world, according to certain theories of probability, provides less and less indeterminism with further refinement of scientific method. In brief, the moral, psychological, and aesthethic demand for the new, the underivable and the unexplained should not be confused with our imagination of the universe at large. A difference remains between our inner sense of becoming and the non-human character of the outer world, which, according to the ancient materialist Lucretius should not be characterized as either one of becoming or being, creation or destruction (De Rerum Natura).

See also[]


  1. PL
  3. Henri Hude, Bergson, Paris, Editions universitaires, 1990, 2 volumes, quoted by Anne Fagot-Largeau in the 21 December 2006 course at the College of France
  4. 4.00 4.01 4.02 4.03 4.04 4.05 4.06 4.07 4.08 4.09 4.10 4.11 4.12 4.13 4.14 4.15 4.16 4.17 4.18 4.19 4.20 4.21 4.22 4.23 Anne Fagot-Largeau, 21 December 2006 course at the College of France (audio file of the course)
  5. p.39
  7. See Chapter III of The Creative Evolution
  8. The topics can be found explored in Henri Bergson's Time and Free Will: An Essay on the Immediate Data of Consciousness, Matter and Memory, Creative Evolution, and The Creative Mind: An Introduction to Metaphysics.
  9. Elie Duhring, « Fantômes de problèmes », published by the Centre International d'Etudes de la Philosophie Française Contemporaine (short version first published in Le magazine littéraire, n°386, April 2000 (issue dedicated to Bergson)
  10. 10.0 10.1 Henri Bergson, The Creative Mind: An Introduction to Metaphysics, pages 11 to 13.
  11. 11.0 11.1 The Stanford Encyclopedia of Philosophy Time and Free Will has to be seen as an attack on Kant, for whom freedom belongs to a realm outside of space and time.
  12. Henri Bergson, Time and Free Will: An Essay on the Immediate Data of Consciousness, Author's Preface.
  13. The Stanford Encyclopedia of Philosophy For Bergson — and perhaps this is his greatest insight — freedom is mobility.
  14. Henri Bergson, The Creative Mind: An Introduction to Metaphysics, pages 160 to 161.
  15. L'Evolution créatrice, pp. 42-44; pp. 226-227
  16. L'Evolution créatrice, pp. 42-43
  17. Henri Bergson's theory of laughter. A brief summary.
  18. Dermot Moran, Introduction to Phenomenology, pages 322 and 393.
  19. Peter Bien, Three Generations of Greek Writers, Published by Efstathiadis Group, Athens, 1983


  • Time and Free Will: An Essay on the Immediate Data of Consciousness 1910. (Essai sur les données immédiates de la conscience 1889) Dover Publications 2001: ISBN 0-486-41767-0 – Bergson's doctoral dissertation
  • Matter and Memory 1911. (Matière et mémoire 1896) Zone Books 1990: ISBN 0-942299-05-1, Dover Publications 2004: ISBN 0-486-43415-X
  • Laughter: An Essay on the Meaning of the Comic 1901. (Le rire) Green Integer 1998: ISBN 1-892295-02-4, Dover Publications 2005: ISBN 0-486-44380-9
  • Creative Evolution 1910. (L'Evolution créatrice 1907) University Press of America 1983: ISBN 0-8191-3553-4, Dover Publications 1998: ISBN 0-486-40036-0, Kessinger Publishing 2003: ISBN 0-7661-4732-0, Cosimo 2005: ISBN 1-59605-309-7
  • Mind-energy 1920. (L'Energie spirituelle 1919) McMillan. – a collection of essays and lectures
  • Duration and Simultaneity: Bergson and the Einsteinian Universe 1922. Clinamen Press Ltd. ISBN 1-903083-01-X
  • The Two Sources of Morality and Religion 1932. {Les Deux Sources de la Morale et de la Religion) University of Notre Dame Press 1977: ISBN 0-268-01835-9
  • The Creative Mind: An Introduction to Metaphysics 1946. (La Pensée et le mouvant 1934) Citadel Press 2002: ISBN 0-8065-2326-3 – essay collection, sequel to Mind-Energy, including 1903's "An Introduction to Metaphysics"

External links[]

Works online[]

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Henri Bergson
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Preceded by:
Émile Ollivier
Seat 7, Académie française
Succeeded by:
Édouard le Roy

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